Ethiopian Jewish embroiderers who migrated from Ethiopia to central Israel decades ago come from a rich tapestry of backgrounds. Some are from rural areas without formal education, while others come from cities and more developed regions of Ethiopia. Elderly grandmothers and younger women alike have honed their embroidery skills to support their families. Many traditional artists still hold onto their Ethiopian heritage, agriculture—once their economic lifeline—is now a cherished hobby. Their embroidery reflects their memories of life in Ethiopia and the trials of their journey to their new homeland. The art of Ethiopian Jewish embroidery merges traditional values with contemporary life, reflecting the integration of their families into society. Common motifs include images of everyday Ethiopian life, inspired by nature and lifestyle: mothers with babies, women carrying jars, and traditional tea ceremonies. Sacred symbols like Lions, the Queen of Sheba, and birds depict their faith and deep connection to home. Photo by Yael Ilan

There are fewer than 50 Warli artists remaining. The origins of Warli art go back thousands of years, and it is believed that their art is some of the closest examples to ancient cave paintings we can see in the modern day. Traditionally the Warli tribe lived in huts characterized by walls made from bamboo poles lined up and plastered with mud and cow dung. Once the walls hardened, designs would be painted on during auspicious events. Warli art depicts traditional fables, rituals, daily life and current issues affecting the community, such as floods and the plight of the rural poor.